Dienstag, 28. Februar 2012

Stars and their cameras - Sofia Coppola

Sofia Coppola compiled her list of essentials for Self Service Magazine including her favorite camera, the Contax T3. Released by German manufacturer Kyocera just before the launch of digital cameras around 2001, the T3 camera was considered to be the perfect deluxe compact, packing all of the qualities found in single-lens reflex cameras into a minimal and lightweight titanium shell. Best of all, you need not bother with focusing because of its Zeiss lens. Sure it is 35mm, but with a high resolution scanner you can do practically anything. Professional photographers love shooting with the Contax T3 because it is a break from big cameras in big locations with elaborate set-ups.


In fact, this very camera has been used to create some of fashion’s most iconic photographs. Famous works by Terry Richardson and Juergen Teller immediately come to mind, particularly Teller's shots of Sofia for Marc Jacobs. Richardson says, “It's not about technique, it's about mystique. It's more about capturing something. Many photographers use big cameras which are very controlled. What I like about a snapshot camera is that half the time the shutter doesn't go off when you need it to. You don't capture what you see, but you capture the feeling. It's looser, it's not premeditated, and it allows for accident.” I think part of the appeal of the Contax T3 is that because you don’t have to focus on aperature or shutter speed settings you can shoot anywhere inspiration strikes instantly without sacrificing quality. This might be one of the reasons Sofia feels so strongly about her T3: "I always try other cameras and come back to this one. I know I should use a digital one, but these pictures always turn out the best." Note that if you plan to own this bad boy you may have to obsessively hunt one down on eBay because it has been discontinued since 2005. And: It's damn expensive! You will have to spend at least $650 or 500 Euros for one in good condition.

Freitag, 24. Februar 2012

Magnum-Fotograf Alex Webbs Fotoessay über Chicago


http://vimeo.com/34711258

Dieser Photoessay (siehe http://vimeo.com/34711258) ist Teil der Zusammenarbeit von Magnum Photos und der Leica Camera AG. Magnum-Fotograf Alex Webb erforscht mit seiner Kamera die Strassen von Amerikas "zweiter Stadt" Chicago.

This photo essay, part of our collaboration with Magnum Photos, documents Alex Webb's exploration of Chicago and the Loop. Inspired in part by one of his early influences, Ray Metzker's "My Camera and I in the Loop," he explores the streets of the US's "Second City." Though unlike the street photographers of the so-called Chicago School (Callahan, Metzger, Sturr, Sterling), Alex Webb has chosen to photograph the city's multitudinous character in color. Having spent most of his 30 year long career shooting outside of the US, Alex Webb turns his lens to his home nation during this very important election year.

Read the interview with Alex Webb on the Leica Camera blog: bit.ly/ybUG00

Montag, 20. Februar 2012

Donnerstag, 16. Februar 2012

The hug

"The hug", New York City, Soho, September 2011



Barton1972.com

Steve Huff hat es bereits auf seiner Homepage (stevehuffphoto.com) geschrieben und ich kann mich ihm nur heftigst anschliessen: Die besten und sexisten Kamera-Trageriemen bestellt man bei Barton1972.com. Diese Dinger haben wirklich Stil. Und am besten bestellt man bei Barton1972 gleich noch eine der wunderbaren Kamerataschen dazu. Egal wie lange man seine Kamera schon besitzt. Montiert man einen Barton-Trageriemen daran, kommt sie einem wieder irgendwie wie neu vor. Und irgendwie wird man das Gefühl nicht los, dass auch die Bilder, die man mit ihr schiesst besser und stilvoller geworden sind, seit man einen Barton-Strap montiert hat.


Donnerstag, 9. Februar 2012

Wie Fotografie-Verrückte die Welt sehen

Es gibt einen Punkt, an dem die Fotografie-Besessenheit für das soziale Umfeld des Fotografen zum Problem werden kann.